In the summer of 1984, I discovered punk rock music. It changed my life, and it shaped my identity – and it utterly informed work as an organizational change consultant.
I never grew a Mohawk or pierced my nose. I didn’t snarl at old women crossing the street. I was never a big fan of anarchy. No, the popular trappings of punk rock weren’t really my thing. For me, punk was a political, intellectual, and emotional force for change.
To understand the politics of punk, and its impact on a generation of American kids, it helps to understand the 1980s. The economy was creeping along. The Cold War felt hot. American culture felt stale and homogeneous. (Go watch “The Americans” on FX. Seriously.)
The early 1980s was not “morning in America.’ It was pretty bleak.
In the words of actor John Cusack, “There's also some element of coming of age during the Reagan administration, which everybody has painted as some glorious time in America, but I remember as being a very, very dark time. There was apocalypse in the air; the punk rock movement made sense.”
In the time before the Internet, punk was a refuge of the lonely and misunderstood. It was where I learned to emotionally connect with others, bootstrap my own future and collaborate to create something significant.
“Time was slow back then. Things were barely moving, and this music came along and it was like an electrical charge,” recalls filmmaker Dave Markey in the film American Hardcore.
When I was 16 years old, punk rock in America was evolving from its urban and arty nihilistic roots into the suburbs. Time may have been slow. The music was fast and furious. The attitude was unapologetically political.
Punk music introduced me to the power of having a point of view. I was much more into The Clash’s smart, but angry, political stance than I was into the musically and personally abrasive Sex Pistols. Closer to home, the almost intellectual nature of the D.C. hardcore punk scene – Minor Threat, Scream, Gray Matter, Dag Nasty – and the angry, yet affirming, Boy Scout energy of bands like 7 Seconds appealed to me more than the in-your-face New York sounds of Agnostic Front.